Unstable Paintings for Anxious Interiors

Kamrooz Aram

Work: EXHIBITIONS

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Unstable Paintings for Anxious Interiors



Unstable Paintings for Anxious Interiors
Green Art Gallery, Dubai, UAE
March 17 - May 3, 2014



"(Aram's paintings') formal and thematic lines of inquiry are by no means ahistorical; their target is less the broader societal relevance of painting than its relationship to present-day political shifts, ruptures, and moments of hope. Rather than attempting contemporary history painting along the lines of, say, a David or a Gericault, the challenge they take up is whether painting can identify the crucial fault lines and potent visual symbols of our early millennial moment." -Media Farzin



link: Green Art Gallery

Uncertain Forms in Resistant Space (Palimpsest #26), 2013
oil, oil pastel and wax pencil on canvas, 84 x 72 inches

Revision for a Nostalgic Garden (Palimpsest #12), 2013
oil, oil pastel and wax pencil on canvas, 84 x 72 inches

Revisions for a New Garden (Palimpsest #15), 2013
oil, oil pastel and wax pencil on canvas, 84 x 72 inches

Seven Sessions with Brahem (Palimpsest #22), 2013
oil, oil pastel and wax pencil on canvas, 84 x 72 inches

Maspeth Rituals (Palimpsest #14), 2013
oil, oil pastel and wax pencil on canvas, 84 x 72 inches

Resistant Forms in Uncertain Space (Palimpsest #27), 2013
oil, oil pastel and wax pencil on canvas, 84 x 72 inches

Backdrop for the Structural Harmony of a City (Palimpsest #16), 2013
oil, oil pastel and wax pencil on canvas, 84 x 72 inches

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Unstable Paintings for Anxious Interiors
Green Art Gallery, Dubai, UAE
March 17 - May 3, 2014

"(Aram's paintings') formal and thematic lines of inquiry are by no means ahistorical; their target is less the broader societal relevance of painting than its relationship to present-day political shifts, ruptures, and moments of hope. Rather than attempting contemporary history painting along the lines of, say, a David or a Gericault, the challenge they take up is whether painting can identify the crucial fault lines and potent visual symbols of our early millennial moment." -Media Farzin